"Control Your Sound Your Way! With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive. Despite its analog-like mixing surface, however, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control\/editor\/librarian software, you get it all for free. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much. So far, so good—if you work from the mixing station. But if you could also walk around a venue or recording studio and remain in control of your mixer using a wireless iPad, that would really be sweet! Done, with PreSonus' free StudioLive Remote for iPad. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should. The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive. See it. Touch it. Change it: the ease of analog meets the power of digital. When we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus. Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for the parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display.Not just effects. Effects you'd expect from a $600 stand-alone processor. You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility. The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 24.4.2. We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails. Recording made easy. If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content. StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power. Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances."
"This progressive 4 -channel DJ mixer is designed for DJ's of all abilities and experience from top pro DJ's to bedroom enthusiasts who want a compact quality mixer with pro features to mix any source - whether vinyl, CD or MP3. The USB port allows easy connection to a computer and the integration of digital media, which can be used to play back music files from a laptop, record mixes, or used with music software. The revolutionary 'X-FX' control allows easy signal routing to external FX in combination with the Xone VCF filter system. Brimming with features, this compact mixer is a favourite in many DJ studios, bars and clubs."
"7 Mic\/ 3 Stereo Inputs, 300 Watts\/channel","Wharfedale Pro's new SPX613 Powered Mixer provides you with everything you need in a compact, powered mixer. Designed for ease of use and quality audio performance, the SPX613 offers many traditional features found in powered mixers along with some additional unique features that will enhance the technical capabilities of your performances.","Featuring high-headroom \/ low noise preamps, switchable global phantom power, built-in signal limiting circuits, along with options for direct connections of low output instruments, the versatile input channels of the SPX613 mixer is ready to meet the challenges of your performance applications.","7 mono, balanced\/unbalanced mic inputs","The SPX613 has 7 mono, balanced\/unbalanced mic inputs. The last two mono Mic channels on this model offer a \"Super Hi-Z\" input for the connection of low level instruments. The rest of the mono channels provide additional balanced, line level inputs. Two additional stereo input channels provide the flexibility of dual RCA, and dual ¼\" balanced analog input jacks. To top that off, a third stereo input channel with dual ¼\" balanced analog inputs also provides a unique, and handy USB port for connection of your laptop computer for stereo playback and recording of digital audio to and from the SPX613 Powered Mixer!","Channel level control and pan","Each mono channel on the SPX613 Powered Mixer offers a channel level control and pan along with variable input TRIM control for detailed input level setting, three band shelving equalization controls, and two separate auxiliary mix controls for stage monitors (MON) and internal or external parallel effects (EFX) processing. Stereo channels each offer channel level and pan, TRIM, two band equalization and summed monitor (MON) and effects (EFX) auxiliary mix controls.","Versatile master section","The versatile master section provides sophisticated control of the overall mixing parameters. These powered mixers offer the capability of being used as a stereo sound reinforcement system, or they can be configured to work as a mono-main and mono-monitor system, making use of the two independent power amplifiers housed within each unit.","Nine band graphic equalizers","Nine band graphic equalizers allow for the flexibility of detailed tonal control of the overall output of each amplifier. When in stereo mode, one graphic \"EQ\" controls the left output while the other controls the right output. When in mono-main\/monitor mode, one EQ controls the mono main speaker output while the other EQ provides for the tonal characteristics of the stage monitor mix, allowing for detailed tonal and feedback control (+\/- 12 decibels) within nine different frequency bands.","Effects Processing Signals","Along with a convenient \"MONITOR MASTER\" level control the SPX613 offers …"
"9 Mic\/ 3 Stereo Inputs, 400 Watts\/channel","Wharfedale Pro's new SPX815 Powered Mixer provides you with everything you need in a compact, powered mixer. Designed for ease of use and quality audio performance, the SPX815 offers many traditional features found in powered mixers along with some additional unique features that will enhance the technical capabilities of your performances.Featuring high-headroom \/ low noise preamps, switchable global phantom power, built-in signal limiting circuits, along with options for direct connections of low output instruments, the versatile input channels of the SPX815 mixer is ready to meet the challenges of your performance applications.","9 mono, balanced\/unbalanced mic inputs","The SPX815 has 9 mono, balanced\/unbalanced mic inputs. The last two mono Mic channels on this model offer a \"Super Hi-Z\" input for the connection of low level instruments. The rest of the mono channels provide additional balanced, line level inputs. Two additional stereo input channels provide the flexibility of dual RCA, and dual ¼\" balanced analog input jacks. To top that off, a third stereo input channel with dual ¼\" balanced analog inputs also provides a unique, and handy USB port for connection of your laptop computer for stereo playback and recording of digital audio to and from the SPX815 Powered Mixer!","Channel level control and pan","Each mono channel on the SPX815 Powered Mixer offers a channel level control and pan along with variable input TRIM control for detailed input level setting, three band shelving equalization controls, and two separate auxiliary mix controls for stage monitors (MON) and internal or external parallel effects (EFX) processing. Stereo channels each offer channel level and pan, TRIM, two band equalization and summed monitor (MON) and effects (EFX) auxiliary mix controls.","Versatile master section","The versatile master section provides sophisticated control of the overall mixing parameters. These powered mixers offer the capability of being used as a stereo sound reinforcement system, or they can be configured to work as a mono-main and mono-monitor system, making use of the two independent power amplifiers housed within each unit.","Nine band graphic equalizers","Nine band graphic equalizers allow for the flexibility of detailed tonal control of the overall output of each amplifier. When in stereo mode, one graphic \"EQ\" controls the left output while the other controls the right output. When in mono-main\/monitor mode, one EQ controls the mono main speaker output while the other EQ provides for the tonal characteristics of the stage monitor mix, allowing for detailed tonal and feedback control (+\/- 12 decibels) within nine different frequency bands.","Effects Processing Signals","Along with a convenient \"MONITOR MASTER\" level control the SPX613 offers a benefi…"
