通用的PR系列结合了流行的Grommes~精密微混频器放大器系列的灵活性与数字调谐器。因此，成为一个通用音频应用程序的一体机解决方案:通过麦克风和\/或电话提供背景音乐(无论是来自车载调谐器还是辅助设备)。它还包括一个单独的\ u201cmusicic - on - hold 输入，非常适合商店、购物中心和任何使用数字消息中继器的环境。消息可以发送到电话系统和\/或主扬声器线路本身。完美的便利商店和购物中心"，" PR系列功能液晶显示器与5 AM和5 FM预置电台记忆和自动电台搜索选择器。此外,它功能3输入灵活的渠道(1麦克风、3辅助,调谐器,1 600欧姆\ / Tel-Page)能够抽15、30和60瓦的连续均方根功率为4欧姆,25 v,或较低的70.7 v扬声器失真,宽频率响应和全系列低音和高音控制。另外，当页面或mic通道被激活时，PR系列自动静音或调谐器通道。"，"为防弹操作设计，PR系列包装了保障措施，以确保长寿命，包括一个内置断路器和热和电流限制。拥有超过半个世纪的行业经验，Grommes~Precision支持PR系列以其无与伦比的专业知识和精度保证承诺:5年保修和30天退款保证。

EPM6, EPM8, EPM12)\ n低成本高性能混频器 Soundcraft发布了快速增长的新Soundcraft家族的另一个新成员，多格式低成本EPM混频器。 Soundcraft EPM的重点是非常牢固的质量构建和音频性能，具有易于理解的控制表面，没有不必要的设施，Soundcraft带来了新的技术和想法，这是一个非常经济的范围。表面安装技术贯穿始终，使用紧密公差组件实现高精度和EQ和增益控制的可重复设置。高透明GB30 Mic amp(由Graham Blyth为公司’s 30周年设计，也用于较大的LX7ii和GB系列游戏机)具有高分辨率的调整，增益范围为55dB，并通过游戏机提供了惊人的+22dB净空。真正专业的48伏幻影电源满足电容器麦克风的所有类型。信号监控的一个独特特点是尖峰led。这使用多点信号起飞，以观察超载在通道带的几个部分，和led灯更明亮，当信号接近峰值点。为了平滑和准确的通道控制，EPM有60mm高质量的喇叭，作为使用在其他Soundcraft桌。监视器输出和耳机输出是并行工作的，这样当工程师在录音室的监视器上监听时，表演者仍然可以监听手机。\ n \ n其他特性:

Soundcraft的MFXi混频器结构紧凑，适合现场音响应用，包括固定装置、礼拜场所和便携式PA。 8、12和20个单声道输入MFXi混频器被内置的24位词汇处理，提供32令人惊叹的混响、延迟和合唱效果(见打开页)。所有MFXi混频器包括2个立体声输入通道，连同一个2轨记录输出和一个2轨重放输入，允许间隔音乐很容易播放从CD, MP3或其他音乐来源。为增加多功能性，MFXi范围内的每个模型都有两个子组以及一个主要的立体声组合，使频道组的控制更容易管理。这些补充了2辅助总线，可用于效果发送或提供一个折叠式的显示器混合为艺术家。 MFXi控制台采用垂直安装的多氯联苯，该多氯联苯与螺母罐固定，具有额外的强度、稳定性和易于维修。间隔良好的控件在关键的控制时刻提供了方便的访问，通过突出显示链接或关联的功能的清晰的显示增强了这一点。音质由Soundcraft’s现已成为传奇的GB30麦克风前置放大器保证，专业电容麦克风的使用因提供全球切换+48V幻影功率而变得更加方便。新的电路设计提高了音频质量，并降低了整体噪音地板的控制台和FX部分。一个完整的通用电源否定了外部电源模块的需要"，"机架耳朵包括12个频道控制台"，"主要特点:"

Soundcraft的旗舰双用途MH4控制台由于引入了更新的单声道和立体声输入模块而变得更加灵活。新模块通过添加真正的单声道\/立体声开关来扩大Aux总线的使用，以充分利用控制台的16总线在监视器模式，给予配置16单声道，12单声道\/2立体声或8单声道\/4立体声混合。 MH4已被广泛采用，因为它能够处理最苛刻的现场混音，并能够使用FOH，监视器，或两者的组合。新的单声道\/立体声Aux开关使显示器模式甚至更灵活时，大量的单声道混合是必需的。有关产品的供应情况和价格，请与您当地的经销商联系。 主要功能"，"*停产帧尺寸:24+4,32+4和56+4。"

Soundcraft RM100是一款完全模块化的无线对讲机，适用于本地电台和其他小型广播应用。设计与易用性作为首要考虑，它提供了一个全功能但负担得起的工作室控制包。RM100有8、12或20个频道三种帧大小可供选择。模块选择范围单声道，立体声，电信和源选择。主模块是每个控制台的标准配置。RM100有三种标准配置，尽管定制配置可用于特殊订单。有关产品供应和价格，请与您当地的经销商联系。

Soundcraft RM105是专为本地电台和其他广播应用而设计的，在这些应用中，使用的方便性必须与附加的功能水平相结合，这是一个完全模块化的对讲机，它提供了一个多功能和成本效益高的演播室控制包。 RM105’s帧可指定为8、12或20信道宽。单声道，立体声，电信和源选择输入模块，除了一个主模块，这是包括作为标准。RM105有四种标准配置，尽管定制配置也可用于特殊订单。有关产品供应和价格，请与您当地的经销商联系。

"ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

"ZED-10FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in\/out making it easy to capture stereo recordings. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3\/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We've added a set of fabulous effects to give shimmering reverbs and enhance your sound. USB audio flexibility Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that's it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send\/return configurations:- Send options: 1) Main Mix Left + Right (Post master Level) 2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send) 3) Record Bus Left + Right (Separate stereo bus to Main Mix) Return Options: 1) To Playback input (through jack socket break contacts) 2) To Stereo 2 channel (through jack socket break contacts) MusiQ ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments. ZED-FX ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don't want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point - this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing - in fact, it's just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up\/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.Guitar DI ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain \"Boost\" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character."

控制你的声音!有了PreSonus studiolive系列数字混音器，您不仅可以得到高端的声音和巨大的处理、混音和录音力量，您可以控制所有这些声音可能从几乎任何地方。想要触摸你的混合与真实的推杆和旋钮的物理反馈和直观的，类似的用户界面，StudioLive提供了大时间;声音健全的人谁只有混合模拟板很快变得舒适的工作与StudioLive。尽管它类似的混合表面，然而，这是一个非常多的数字控制台，它提供的功能没有模拟混合器—和很少的数字板—可以匹配。例如，从笔记本电脑控制StudioLive混合器的能力增加了巨大的灵活性和便利性—，与捆绑的虚拟StudioLive双向控制\/编辑\/图书管理员软件，你可以免费得到它。添加第三方VPN软件，你甚至可以控制StudioLive搅拌机在互联网\ u2014理想的承包商。要得到一台与之竞争的计算机控制的搅拌机，甚至接近这个完整，你将不得不支付几倍的钱。到目前为止，还好，如果你是在混音台工作的话。但如果你也可以在一个场地或录音室里走动，并使用无线iPad控制你的混音器，那将真的是太棒了!完成了，PreSonus为iPad提供的免费StudioLive遥控器。StudioLive Remote很容易使用，提供了对StudioLive几乎所有功能的控制，外观和感觉都像一个iPad应用程序。你用PreSonus studiolive系列搅拌机所得到的控制水平是超酷的—it's absolutely ice!现在你可以控制你的声音从任何地方你选择—no限制!只吃甜桐。\ n看到它。碰它。改变它:模拟的容易满足数字的力量。当我们设计StudioLive时，我们的主要目标之一是提供一个熟悉的界面，以保持所有关键控件的可见性和可访问性—not隐藏在多个菜单中。坐在StudioLive 16.4.2，你会看到真正的硬件静音和单音按钮，装饰控制，和明确标记，为半参数EQ和动力学处理的单个旋钮。主节\ u2014完整与对讲，监视器，线索，和耳机源的选择\ u2014看起来就像一个模拟板上的主节，但有更多的权力和灵活性。Aux发送有自己的控制。每个频道都有一个大而明亮的仪表显示器。

我们革命性的MX200和MX400改变了一切。一个伟大的声音的硬件词典混响—加上能力，把该权力的工作，作为您的DAW工作流程的一部分，通过PC VST®和Mac® AU插件。现在，我们已经将MX400的大部分特性集合打包到超便宜的MX300中。所有参数的混响，延迟和动态效果，在这个电站处理器可在任何PC VST®或Macintosh® AU兼容的DAW程序。只需将您的计算机连接到MX300与USB电缆和控制自动化和召回参数完全一样，您将与任何软件插件。你得到的声音的好处只有Lexicon硬件可以提供…而不阻塞您的计算机的CPU与极端要求的混响插件。与我们独特的\"硬件插件\"为PC和Mac®，我们还包括了MX-Edit™图书管理员软件，以便您可以存储和召回自定义程序或拉起无限数量的词典设置。我们敦促你们对MX300与价格相当的竞争对手和价格高得多的单元进行一次认真的并排听力测试。你会听到为什么Lexicon是反响效应的领导者。为什么不把前所未有的力量和连接的MX300工作在您的产品当钱不是对象，辞典被写进更多的主要旅游骑手比任何其他品牌的混响。但当钱是一个问题，你仍然可以拥有丰富的，详细的纹理，使词汇听起来独一无二。这里是一个完整的arsenel的声音和仪器增强效果，包括16 Lexicon混响，7延迟，真正的dbx®压缩和解压缩和调制效果，将使任何性能听起来更好。我们设计的MX300是非常容易使用在要求现场声音的情况。一旦一个程序被选中，你就可以立即访问三个参数旋钮—，而不必通过额外的菜单来浏览。您可以编程整个晚上的预置，并快速拨号与专用程序选择旋钮和明亮的LED显示。像Lexicon公司生产的每一款产品一样，MX300的设计能够经受多年的颠簸、碰撞、插装、插装、限电和电涌。这只是在这个价格上提供的最现场的混响。从五个效果路由选项 MX300让你切换效果路由容易通过前面板控制，所以你不必花时间在你的机架改变电缆。双单声道分别通过Effect 1和Effect 2发送左右输入信号。每个信号然后被路由到它各自的输出，完全独立于另一个。级联(串联)首先通过效应1发送左、右输入信号，然后通过效应2发送，然后以立体声信号的形式发送到各自的输出。双立体声(平行)路径的左和右输入信号分别通过这两种效果。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。 Mono Split左输入信号通过Effect 1发送，右输入信号通过Effect 2发送。然后将两种效果的输出信号混合在一起，并以单一立体声信号的形式发送到两种输出。立体路由为左右信号提供单一立体效果路径。该路由删除了用户的一个效果模块，用户需要一个简化的信号路径，只有一个效果满足他们的需要—，但利用了所有MX300的处理马力。

"Control Your Sound Your Way! With a PreSonus StudioLive-series digital mixer, you not only get high-end sound and tremendous processing, mixing, and recording power, you can control all of this sonic might from virtually anywhere. Want to touch your mix with the physical feedback of real faders and rotary knobs and an intuitive, analog-like user interface The StudioLive delivers big time; sound people who have only mixed with analog boards quickly become comfortable working with a StudioLive. Despite its analog-like mixing surface, however, this is very much a digital console, and it offers features no analog mixer—and very few digital boards—can match. For example, the ability to control the StudioLive mixer from a laptop adds tremendous flexibility and convenience—and with the bundled Virtual StudioLive bidirectional control\/editor\/librarian software, you get it all for free. Add third-party VPN software, and you can even control StudioLive mixers over the Internet—ideal for contractors. To get a competing mixer with computer control even close to this complete, you'd have to pay several times as much. So far, so good—if you work from the mixing station. But if you could also walk around a venue or recording studio and remain in control of your mixer using a wireless iPad, that would really be sweet! Done, with PreSonus' free StudioLive Remote for iPad. StudioLive Remote is easy to use, provides control of almost every feature of the StudioLive, and looks and feels like an iPad app should. The level of control you get with PreSonus StudioLive-series mixers is beyond cool—it's absolutely ice! Now you can control your sound from anywhere you choose—no limits! Only with PreSonus StudioLive. See it. Touch it. Change it: the ease of analog meets the power of digital. When we designed StudioLive, one of our primary goals was to provide a familiar interface that would keep all critical controls visible and accessible—not buried inside multiple menus. Sit down at a StudioLive 24.4.2, and you see real hardware Mute and Solo buttons, trim controls, and clearly labeled, individual knobs for the parametric EQ and dynamics processing. The master section—complete with Talkback, Monitor, Cue, and a choice of headphone sources—looks just like the master section on an analog board but with far more power and flexibility. Aux sends have their own controls. Every channel has a big, bright meter display.Not just effects. Effects you'd expect from a $600 stand-alone processor. You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility. The StudioLive 24.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control. This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 24.4.2. We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails. Recording made easy. If you have a computer with 6-pin FireWire, you have a 26-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content. StudioLive 24.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 26 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power. Because StudioLive 24.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances."

EQ-215均衡器最创新的特点是滤波器网络惊人的准确性。无论相邻的滤镜设置如何，几乎没有中心点漂移。恒定Q电路确保一致的滤波器带宽，"，"的EQ-215允许您均衡与一个新的水平的精度，可能是最透明和准确的均衡器可用。EQ-215均衡器可用于各种设置，包括:混合控制台，固定安装，在放大器的效果回路，和在家庭接收机的磁带回路。独立包含在一个全钢两高19机架安装情况下，这均衡器是专为持续专业使用。

EQ-31允许你平衡与一个新的精度水平，可能是最透明和最准确的均衡器可用。EQ-31均衡器可以在各种设置中使用，包括:混合控制台，固定安装，在一个放大器的效果环路，和在一个家庭接收机的磁带环路。独立包含在一个全钢两高19机架安装情况下，这均衡器是专为持续专业使用。

来自沃夫代尔专业公司的pmx700是一款一流的轻型、紧凑和便携式电源混频器，其设计是便携性和电源的完美平衡，pmx700适用于广泛的便携式音响应用。所有你需要混合和放大麦克风和线水平源包括在一个盒子，一个符合人体工程学的携带手柄，以帮助运输。一个盒子的概念加快了你的设置时间，并允许你比以前更快地开始你的性能"，" pmx700的功能内置在数字FX处理，扩大你的创造力，提高你的声音质量，而不需要额外昂贵和经常麻烦的处理器。一个图形EQ允许微调的整体混合;PMX 7) 0有一个灵活的路由系统,允许你情商的房子前面和监视器扬声器在立体声mono或你的房子前面。,6幻影的XLR麦克风输入允许您连接任何类型的麦克风,线路电平输入可用\ u00bc \ u201d千斤顶和RCA连接器。PMX710包括所有通道的pan\/balance控制。主要输出使用Speakon™\/¼插孔Combi连接，以达到最大的可靠性和通用性。

来自沃顿专业的pmx710是一种一流的轻型、紧凑和便携式电源混频器，设计是便携性和电源的完美平衡，pmx710适用于广泛的便携式音响应用。所有你需要混合和放大麦克风和线水平源包括在一个盒子，一个符合人体工程学的携带手柄，以帮助运输。一盒概念加速你的设置时间，并让你开始你的性能比以往任何时候都快"，" pmx710功能内置在数字FX处理，扩大你的创造力，提高你的声音质量，而不需要额外昂贵和经常麻烦的处理器。一个图形EQ允许微调的整体混合;PMX 710有一个灵活的路由系统,允许你情商的房子前面和监视器扬声器在mono或你的房子前面立体声。,6幻影的XLR麦克风输入允许您连接任何类型的麦克风,线路电平输入可用\ u00bc \ u201d千斤顶和RCA连接器。该PMX710包括一个全双工USB回放\/记录接口和pan\/平衡控制。主要输出使用Speakon™\/¼插孔Combi连接，以达到最大的可靠性和通用性。

"7 Mic\/ 3 Stereo Inputs, 300 Watts\/channel","Wharfedale Pro's new SPX613 Powered Mixer provides you with everything you need in a compact, powered mixer. Designed for ease of use and quality audio performance, the SPX613 offers many traditional features found in powered mixers along with some additional unique features that will enhance the technical capabilities of your performances.","Featuring high-headroom \/ low noise preamps, switchable global phantom power, built-in signal limiting circuits, along with options for direct connections of low output instruments, the versatile input channels of the SPX613 mixer is ready to meet the challenges of your performance applications.","7 mono, balanced\/unbalanced mic inputs","The SPX613 has 7 mono, balanced\/unbalanced mic inputs. The last two mono Mic channels on this model offer a \"Super Hi-Z\" input for the connection of low level instruments. The rest of the mono channels provide additional balanced, line level inputs. Two additional stereo input channels provide the flexibility of dual RCA, and dual ¼\" balanced analog input jacks. To top that off, a third stereo input channel with dual ¼\" balanced analog inputs also provides a unique, and handy USB port for connection of your laptop computer for stereo playback and recording of digital audio to and from the SPX613 Powered Mixer!","Channel level control and pan","Each mono channel on the SPX613 Powered Mixer offers a channel level control and pan along with variable input TRIM control for detailed input level setting, three band shelving equalization controls, and two separate auxiliary mix controls for stage monitors (MON) and internal or external parallel effects (EFX) processing. Stereo channels each offer channel level and pan, TRIM, two band equalization and summed monitor (MON) and effects (EFX) auxiliary mix controls.","Versatile master section","The versatile master section provides sophisticated control of the overall mixing parameters. These powered mixers offer the capability of being used as a stereo sound reinforcement system, or they can be configured to work as a mono-main and mono-monitor system, making use of the two independent power amplifiers housed within each unit.","Nine band graphic equalizers","Nine band graphic equalizers allow for the flexibility of detailed tonal control of the overall output of each amplifier. When in stereo mode, one graphic \"EQ\" controls the left output while the other controls the right output. When in mono-main\/monitor mode, one EQ controls the mono main speaker output while the other EQ provides for the tonal characteristics of the stage monitor mix, allowing for detailed tonal and feedback control (+\/- 12 decibels) within nine different frequency bands.","Effects Processing Signals","Along with a convenient \"MONITOR MASTER\" level control the SPX613 offers …"